Every schoolchild in India is familiar with the history of the great Emperor Akbar who had ruled our country with strength, compassion and understanding. Not just a conquering warrior, he was also known as a great statesman, thinker and humanist, who succeeded in maintaining peace and harmony throughout his vast empire.
When I was asked to write a review of a new book of photographs by Margaret Bourke White sheer excitement ran through my nerves. While Henri Cartier Bresson has been a much talked about figure in the photo communities here in India Margaret Bourke White has in comparison been quite invisible at least amongst the discussions that have gone on among my contemporaries.
Three major approaches underline the bourgeoning literature on Northeastern India—the historico-political, the Marxian and the Pluralist. Emphasizing on the class dimension of the turbulences in the various states of the region, the Marxian perspective has noted with concern, the evolution and growth of ‘little nationalism’ and nativist chauvinism.
This book is a collection of a hundred short stories by the popular Bengali writer who wrote under the pseudonym Banaphool (flower from the forest). The stories, whether set in urban or rural Bengal, contain the romantic whiff of nature in its broadest sense, including human beings.
Atranslator has to be faithful to the text he/she is translating into another language. A translator has to observe not only the linguistic practices of the language into which he/she is translating the text but also keep in perspective the cultural norms of the recipient society.
Ashish Khetan’s cover story, ‘Dazed & Confused Again’ (Tehelka, Vol.8, Issue 37, 17 Sept, 2011) traces the growth of one Abu Faizal Khan, an IM operative from Hansapur village in Azamgarh, UP. The tenor of Khetan’s report is no different from the reality of Jamal Ansari, Omair Ahmad’s protagonist in Jimmy The Terrorist.